Year: 2019

‘Click Interview’ with Hymnambulae: ‘Both Hypnagoga Press And Hymnambulae, Are Intended As Lifelong Projects’

Hymnambulae is one of the multiple projects Pär Boström (Kammarheit, Cities Last Broadcast, Bonini Bulga ao) is involved with. Together with his sister, Åsa Boström, he set up this project to compose ritual music. The second full length album “Nausikaa”, released on their own label Hypnagoga Press, is a conceptual work meant as a ‘long-held vision to combine the electroacoustic ambience of Hymnambulae with voice recordings by the Swedish mystic, poet and translator Gunnar Ekelöf’. Even if there’re explicit ritualistic elements running through the work, it also sounds as a fascinating dark-ambient universe revealing a perfect balance between dreamy- and anguishing passages. My curiosity incited me to get in touch with the siblings to know a bit more about Hymnambulae and their latest creation. (Courtesy by Inferno Sound Diaries) Q: Pär, first of all I would like to know what makes Hymnambulae different for you compared to your other projects you’ve been ever involved with?   Pär: One big difference is how concrete the inner world becomes. To be shared, for us to be able to collaborate, it needs to be more verbalised. Hymnambulae is very specific in its setting and theme. Some things remain on an abstract and intuitive […]

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Alphaville live in Norway – concert and interview: ‘The most bizarre show? Lebanon, we saw a toy shop, with a Mickey Mouse figure outside, full of bullet holes’

November 30th we were a gang of friends going to Sundvolden Hotel, 45 mins out of Oslo, spending the night at the hotel, having both a classic Norwegian xmas party (“julebord”) AND an Alphaville concert!

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‘Click Interview’ with Mimetic: ‘Techno Is Like Other Styles, Stealing From Others’

Jérôme Soudan is one of those artists I personally consider as a ‘visionary’ artist. His Mimetic project is the best exposure to realize the constant avant-garde approach he tries to inject in his work. He belongs to the ‘pioneers’ who incorporated techno music in the industrial scene, but he later on moved on with elements of IDM. Mimetic is a kind of reference, but still a project that has the power to entertain different scenes: techno and industrial! He this year released the compilation-album “RVSTD1:1998-2019” on Les Arts Minis, which is an opportunity to seize the evolution of the artist and his strong connection with techno music. Jérôme Soudan is a fascinating man, but still an essential artist from the electronic-underground scene. (Courtesy by Inferno Sound Diaries) Q: You this year released the compilation-album “RVSTD1:1998-2019”, which covers more than 20 years of Mimetic, but especially the ‘techno-driven’ tracks. How do you look back at more than 20 years of Mimetic and tell us a bit more about the main purpose of this album? Jérôme: At the beginning I wanted to create a solo-project as I was involved in a lot of diverse collectives such as Von Magnet for instance, but […]

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Erasure’s Andy Bell releases ‘Variance III – The Queereteria Remixes’ feat. Bronski Beat remixes – check a first track

“Variance III – The Queereteria Remixes” is the latest Andy Bell album which presents remixes of some of the tracks from the “Torsten In Queereteria” alongside some previously unreleased music from the project, plus a…

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